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Early-Classic U.S. Gold Coins

1795 13 Leaves $10 1795 $10 13 Leaves NGC AU55
Please call: 1-800-388-8118
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1795 $10 13 Leaves
NGC AU55
Coin ID: RC3984005
Inquire Price: P.O.R - - SOLD - 9/11/2012*
Free Shipping and Insurance for coins at $10K or above.

1795 Eagle - 1795 $10 13 Leaves NGC AU55. BD-5, R5. This rare, lightly circulated, 13 Leaves 1795 Eagle has an above average strike and some remaining mint luster within the devices. Full details are present on most of Libertys hair, the centers of some of the stars, and the lower portion of the eagle. Aside from the lower right reverse, the dentils are strong on both sides as well. The surfaces of this 1795 Eagle are original and clean for the grade with no notable individual abrasion marks. Just a touch of light wear on the highest points is present, in keeping with the grade.

The coin is the BD-5 variety. There are 13 reverse leaves. Libertys bust is over the 5 in the date, and the numerals are widely spaced. Star 11 is away from the Y in LIBERTY, and Leaves 8 and 9 are distant from the U in UNITED. The tip of Leaf 8 is far from U and pointed to its left side. The stem of the palm branch touches the right inside serif of the second A in AMERICA. The exterior points of many of the stars are noticeably shortened because of lapping.  

Researchers believe that this coin was made from the third and final use of the obverse die and the second and final use of the reverse die.   

Robert Scot designed the eagle. The obverse shows a profile of Liberty facing right. Below her is the date which is off center to the left. Between the date and the word LIBERTY on the left side of the coin are 10 stars. Another 5 stars follow LIBERTY down to the bust. Liberty wears a large, soft cap. Her hair flows down and also shows on her forehead. The design was probably taken from a Roman engraving of a Greek goddess. Libertys cap was certainly not a Phrygian or liberty cap. The liberty cap, emblematic of freedom, was worn by freed slaves and freed gladiators in Roman times. It was a close fitting cap used to cover a shorn head, which was one of the ways slaves were identified. Because of the way Libertys hair strands wrap around it, the oversized cap has been called a turban, and the design has been called the Turban Head because of it. The reverse shows a scrawny eagle perched on a palm branch. This eagle, which looks like no real bird, has been compared to a chicken at best. Its head is turned to the right, and it holds a small wreath in its mouth. The wings, which are stretched out, interrupt the legend UNITED STATES OF AMERICA at the periphery.

Thomas Jefferson chose Robert Scot to be the first Chief Engraver of the United States Mint on November 23, 1793. Scot was born in 1744 in Edinburgh, Scotland or England. (Documentary evidence is lacking as to where he was born.)  He was trained as a watchmaker in England and learned engraving afterwards. He moved to the United States in 1777, where he worked as an engraver of plates, bills of exchange, and office scales. During the Revolution, he was an engraver of paper money. In 1780 he was made the State Engraver of Virginia. He moved to Philadelphia the next year. He was appointed Chief Engraver of the United States Mint on November 23, 1793 by David Rittenhouse, Mint Director. His salary in 1795 was $1,200 per year. The Mint Director received only $800 dollars per year more. Scots ability to make dies was limited, and he was advanced in years with failing eyesight. His work was somewhat less than that done in Europe at the time, and Scot was criticized for its poor quality. He was responsible for designs of most of Americas first coins. These include the Flowing Hair and the Draped Bust motifs used on early silver coins and the Capped Bust gold coins. Scot also designed the 1794-1797 half-cent, the 1800-1808 draped bust half-cent, and the Thomas Jefferson Indian Peace Medal. He died on November 1, 1823 and was succeeded by William Kneass as Chief Engraver.

The early Mint in Philadelphia had many challenges. Each of the specialists, the designers, engravers, and press operators were men who had previously worked in other fields. Coin manufacturing was a new trade for them. Production was sporadic. For the new Mint to coin each of the mandated denominations, it took four years. This delay was partly because of inexperience and governmental obstacles. Bonds that were unrealistically high were impediments to engravers working with precious metals. Congress was not united on the need for a government mint since private and foreign coinage seemed to work. Because of the non-existent or low production numbers in the early years of the Mint, foreign copper, silver and gold circulated along with American made coins for many years until they were later demonetized.

Record keeping in the Mints early years was fairly inaccurate. At the end of the eighteenth century Philadelphia had recovered from the British occupation and Revolutionary War. It was the second largest city in the English-speaking world, but it could do nothing to protect its citizens from the mosquito-borne epidemic of yellow fever. Its wealthy citizens went to the countryside to escape, and the poor grimly waited their fate. Of course these annual epidemics caused havoc with all manufacturing that required continuity, such as a coinage sequence. In addition to yellow fever, chaos at the Mint was also caused by chronic bullion shortages, coin dies that would wear out and had to be re-engraved because they were not taken out of production until they failed completely, and a Chief Engraver, Robert Scot, who was in his seventies and had failing eyesight.  

In its population report, NGC shows 8 1795 Eagles with 13 Leaves in AU55 condition with 24 better. However, these numbers do not account for the die varieties. The BD-5 is the second scarcest of the five 1795 varieties and the scarcest of the 13 Leaves type. The coin has an R5 Rarity rating, which means that 35 to 45 examples are thought to exist in all grades.


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