Choice
and Rare 1799 Set - 1799 Early Coin Set
1799 Large Cent - 1799
Silver Dollar Mint Error - 1799/8 Silver Dollar - 1799 Half
Eagle - 1799 Eagle
The
1799 Set consists of a Draped Bust cent, the regular issue
and the overdate; several varieties of the silver dollar;
the half eagle with small and large stars; and the eagle with
small and large stars. In addition to the cent, the Draped
Bust motif was used on the dollar coin. The gold coins used
the Capped Bust to Right, Heraldic Eagle motifs. All were
designed by Robert Scot, the Mint Engraver. The coins of this
set are always in demand and eagerly sought after by both
collectors and investors.
1799
Large Cent
The
coin, designed by Robert Scot, shows Liberty in profile
facing right with the date below. Above her head is the
word LIBERTY. Her hair is tied back with a ribbon, and it
flows down her neck and behind her shoulders. The bust is
strangely draped for a classical design, which was Scott’s
goal. Dentils are at the periphery of both sides of the
coin. The reverse shows a wreath of two olive branches tied
with a ribbon on the bottom.
Enclosed in the wreath is the denomination,
ONE CENT, written on two lines. At the bottom of the wreath
is the fraction 1/100. Encircling the wreath is the legend
UNITED STATES OF AMERICA. There is edge lettering that says
ONE HUNDRED FOR A DOLLAR, which is visible in the new NGC
holder.
In July 1796 there was a change made from
Liberty Caps to Draped Busts. Scot, the Engraver, made a
new die copying Gilbert Stuart’s drawing that was
previously used for the Draped Bust silver coins. His assistant,
Adam Eckfeldt, made a punch to make nineteen obverses to
have this date. Other dies were made with the 179 already
in and the final number available to be used for 1797, 1798,
and 1799.
There were several reasons that caused the
cents of these early years to be of lesser overall quality.
Mint work had to be suspended from mid-summer to late in
the fall because of the annual yellow fever epidemic. Each
winter the old stored dies were put back into service.
Often they were rusted and chipped, and
these imperfections showed on the coins they produced. A
die chip is seen on the current coin. Planchets were imported
from England because the local manufacturing companies were
not able to produce ones of high quality.
Mint Director Boudinot gave Boulton &
Watt, a British firm, his planchet orders because the locally
produced planchets were more expensive and inferior. However,
the ones used in 1799 came from Coltman Brothers, an American
company. Mint records call them “black copper”
because they were dark and rapidly deteriorated.
In addition to inferior materials to work
with, Mint personnel also lived with the anxiety that their
jobs would end because of the possible abolition of the
Mint as a United States enterprise. Inexplicably, later
die steel improved which enabled the dies to last longer.
Hence more quality pieces are known after 1801.
All 1799 Large Cents are rare and in demand
by date collectors and investors. In their combined population
reports, NGC and PCGS have certified 197 pieces in all conditions.
Most of these are in G to VF condition. Only two have been
graded mint state, one by each service. PCGS has an MS61
and NGC has an MS62. These numbers do not account for resubmissions
or crossovers.
1799/8
Large Cent
The
coin, designed by Robert Scot, shows Liberty in profile
facing right with the date below. Above her head is the
word LIBERTY. Her hair is tied back with a ribbon, and it
flows down her neck and behind her shoulders. The bust is
strangely draped for a classical design, which was Scott’s
goal. Dentils are at the periphery of both sides of the
coin. The reverse shows a wreath of two olive branches tied
with a ribbon on the bottom.
Enclosed in the wreath is the denomination,
ONE CENT, written on two lines. At the bottom of the wreath
is the fraction 1/100. Encircling the wreath is the legend
UNITED STATES OF AMERICA. There is edge lettering that says
ONE HUNDRED FOR A DOLLAR, which is visible in the new NGC
holder.
In July 1796 there was a change made from
Liberty Caps to Draped Busts. Scot, the Engraver, made a
new die copying Gilbert Stuart’s drawing that was
previously used for the Draped Bust silver coins. His assistant,
Adam Eckfeldt, made a punch to make nineteen obverses to
have this date. Other dies were made with the 179 already
in and the final number available to be used for 1797, 1798,
and 1799.
There were several reasons that caused the
cents of these early years to be of lesser overall quality.
Mint work had to be suspended from mid-summer to late in
the fall because of the annual yellow fever epidemic. Each
winter the old stored dies were put back into service.
Often they were rusted and chipped, and
these imperfections showed on the coins they produced. A
die chip is seen on the current coin. Planchets were imported
from England because the local manufacturing companies were
not able to produce ones of high quality.
Mint Director Boudinot gave Boulton &
Watt, a British firm, his planchet orders because the locally
produced planchets were more expensive and inferior. However,
the ones used in 1799 came from Coltman Brothers, an American
company. Mint records call them “black copper”
because they were dark and rapidly deteriorated.
In addition to inferior materials to work
with, Mint personnel also lived with the anxiety that their
jobs would end because of the possible abolition of the
Mint as a United States enterprise. Inexplicably, later
die steel improved which enabled the dies to last longer.
Hence more quality pieces are known after 1801.
All 1799 Large Cents are rare and in demand
by date collectors and investors. In their combined population
reports, NGC and PCGS have certified 197 pieces in all conditions.
Most of these are in G to VF condition. Only two have been
graded mint state, one by each service. PCGS has an MS61
and NGC has an MS62. These numbers do not account for resubmissions
or crossovers.
1799 Silver Dollar
Before
the Revolutionary War, coins from many European nations
circulated freely in the American colonies along with decimal
coinage issued by the various colonies. The most prominent
among these were the Spanish silver dollar coins (also called
pieces of eight or eight reales) minted in Mexico and other
colonies of Spain with silver mined from Central and South
America. These coins, along with others of similar size
and value, were in use throughout the colonies. They remained
legal tender in the United States until 1857. The dollar
was intended to replace the Spanish, English, Dutch and
French coins that dominated the commerce of the Confederation
era. It was authorized on April 2, 1792 in an act that also
created the United States Mint and our nation’s coinage.
Because it was the Unit, the silver dollar was the most
important coin created and the basis of the nation’s
monetary system. All other coins struck, and all paper money
as well, are either fractional parts of or multiples of
the dollar. The dollar was to be .8924 fine and weigh 416
grains.
The early silver dollars were minted from
1794 until 1804. The denomination was on the edge. Beginning
in 1836, when the minting of dollars resumed, the denomination
was placed on the coin’s reverse and the edge was
either plain or reeded. In January, 1837 the fineness and
the weight was changed. The former became .900 and the latter
412.5 grains. Coinage of “regular” dollars was
suspended between 1874 and 1877. During this time Trade
Dollars were issued, which were made to circulate in the
Orient.
The origin of the word dollar is from the
German thaler. It was a large European silver coin that
substituted for the gold florin in 1484. During the sixteenth
century these coins became very popular in Europe. Other
countries struck similar coins. With the discovery of large
quantities of silver in Mexico and South America, the Spanish
dollar was struck in great numbers. These pieces of eight
circulated in the British American colonies.
On July 6, 1785, the dollar became the standard
unit of the monetary system of the United States. The first
of them, the Flowing Hair dollars of 1794-95, portrayed
Liberty looking up and to the right with loose hair behind.
The eagle on the reverse looked not much like an eagle.
It was perched in a wreath with its head turned to the right.
Later in 1795, while keeping the Small Eagle reverse, a
new Draped Bust obverse coin was issued. This combination
was minted until 1798. In that year, the Draped Bust obverse
was combined with a new reverse, the Heraldic Eagle. The
change to the Heraldic Eagle reverse was done to be in accord
with the standard European practice of placing a coat of
arms on a reverse of a coin. The gold and silver coins followed
Scot’s heraldic eagle design.
In 1798 the Mint struck 327,356 dollars
but did not record how many of each type were made. The
next year, 423,515 Heraldic Eagle dollars were struck. The
unexpected side effect of the large mintage of these two
years was that many dollars were sent to China to pay for
imported goods. They were also sent to the West Indies and
were exchanged for Spanish dollars. Some of the silver dollars
sent to the West Indies returned, but those sent to China
rarely did.
During this time period, a silver dollar
was a significant amount of money, and most people never
saw them. Generally silver dollars were used for large commercial
transactions and occasionally for private ones. In those
times, one day’s pay for a skilled laborer was one
dollar.
There are several varieties of Draped Bust
Large Eagle dollars. The 1798 and 1799 dollars have minor
obverse differences such as knobbed or pointed 9’s
or wide or close dates. One reverse die had ten arrows instead
of thirteen. There was an overdate, the 1799/8. Also one
1799 had a fifteen star reverse. The 1800 had several varieties
as well. These include a dotted date, one with twelve arrows,
and the famous AMERICAI stray punch. The 1801 proof dollar
was a restrike. Only two are known. The 1802 dollar had
two versions of 2 over 1, wide and narrow dates and a proof
restrike of which only four are known. The 1803 dollar had
large and small 3’s and a proof restrike of which
only four are known. The famed 1804 dollar was struck between
1834 and 1835. There are eight originals and seven restrikes.
Some researchers feel that Gilbert Stuart,
the famous portrait artist, was hired by Mint Director Henry
DeSaussure to create the obverse design. It is said to be
based on a drawing of Mrs. William Bingham, the former Ann
Willing. Evidently John Eckstein, an assistant to Scot,
made the plaster models poorly, which might explain why
Stuart’s family refused to acknowledge his role in
the coinage design. Another theory is that the design is
based on a portrait of Martha Washington. In any case, the
Draped Bust dollar portrait was and is considered one of
the finest made. It remained in use until the end of circulating
dollar coinage in 1803 and was also used on other denominations
from the half cent to the half dollar.
The new reverse was first used by Robert
Scot on the 1796 gold quarter eagle. It is an adaptation
of the Great Seal of the United States of America; however,
Scot reversed the arrows and olive branch. On the coin the
eagle holds the arrows in its right talon, the opposite
of the placement on the Great Seal. Perhaps the placement
of the arrows was a warning to France, who was seizing American
ships that were trading with Britain and to other world
powers to be respectful of the sovereignty of the United
States.
The design shows a draped bust of Liberty
in profile facing right. Above is LIBERTY, and below is
the date. Liberty’s hair is tied in the back with
a ribbon and also flows down over her right shoulder. Seven
six-pointed stars are to the left and six are to the right.
The heraldic eagle reverse shows the eagle with up stretched
wings and a Union shield on its breast. A banner inscribed
E PLURIBUS UNUM curls across the left wing and under the
right. The inscription UNITED STATES OF AMERICA, interrupted
by the wing tips, is in an arc near the periphery. Thirteen
stars are above the eagle’s head under the clouds
in an arc pattern. Dentils are near the edge on both sides
of the coin. The edge is lettered HUNDRED CENTS ONE DOLLAR
OR UNIT with ornamentation between the words.
Full details are rarely seen on the dollars
of 1798 to 1804. Weakness is often seen on the obverse on
centers of the stars, the highest point of the hair, and
the lines of the drapery. On the reverse the weak parts
are often the shield, the feathers, the stars and the clouds.
Dentils are often weak, and adjustment marks are frequently
found on either side. Overweight coins were often adjusted
by filing one side or the other. This adjustment process
took place both before and after striking.
In their combined population reports, the
two major grading services have certified 4,225 1799 silver
dollars in all conditions and varieties. This number is
slightly less than one-tenth of the original mintage of
423,515. Of the certified pieces, VF20 to XF45 pieces are
most often seen. There are only 140 are in mint state with
13 in grades MS65 or MS66. None are higher. These numbers
do not account for crossovers or resubmissions.
1799/8 Silver Dollar
The
1799/8 Silver Dollar overdate has three
varieties. All of them have a common obverse, known as Obverse1.
Obverse 1 has a 9 clearly punched over a previous 8. It
is very close to the drapery. The stars on this obverse
are very close together, and the letters of LIBERTY are
widely spaced. No 1798 dollars were made from this die.
BB-141 combines Obverse 1 with Reverse A.
Reverse A has 15 stars on it. The two extra stars are almost
hidden in Clouds 1 and 8. Only their points show. The pattern
of stars is unique with five in the top row, six in the
second, and two in the third.
Evidently the engraver first punched seven
stars in the top row and six in the second. With the one
on each side of the eagle’s head, he had 15 stars.
To hide the mistake, he made Clouds 1 and 8 larger. Now
the middle row would not have to be changed, and the die
had the correct number of stars. The normal star pattern
is six-five-two.
BB-142 combines Obverse 1 with Reverse B.
Reverse B has 13 stars above the eagle. A leaf points to
the center of the I in AMERICA. Star 12 touches the lower
part of the eagle’s beak, and its lower ray points
to the left outside of the U in PLURIBUS. This U is often
weakly struck. The far right edge of the A in STATES is
above the junction of Cloud 3 and Cloud 4. The first A in
America touches both Feather 3 and Feather 4.
BB-143 combines Obverse 1 with Reverse C.
Reverse C also has 13 stars above the eagle. A die crack
runs from the edge of the coin down through the curved part
of the D in UNITED and shows at the base. A leaf point is
below the left side of the I in AMERICA.
Star 12 touches the lower part of the beak
and enters the eagle’s mouth. Its lower ray points
to the right side of the left upright of the U in PLURIBUS.
Only Feather 4 touches the first A in AMERICA. There is
a bar between Cloud 4 and Cloud 5 and a die flaw between
the left base of N and the arrowhead.
Because the grading services do not automatically
identify varieties, it is unclear in absolute numbers how
many varieties have been certified. At NGC 240 overdates
have been certified, but the breakdown is as follows: BB-141
37, BB-142 16, and BB-143 16.
At PCGS 235 15 Reverse Star overdates have
been certified, which are also known as BB-141. They have
also certified 165 13 Reverse Star overdates; however, the
breakdown is significantly less as follows: BB-142 10 and
BB-143 4. The only clear inference that one can make is
that the BB-143 is the rarest, the BB-142 is in the middle
of the group, and the BB-141 is the most common of the group.
1799 Half Eagle, Small Stars Reverse
The
obverse design shows Liberty facing right. Below her is
the date which is off center to the left. Between the date
and the word LIBERTY on the left side of the coin are eight
stars. Five stars follow LIBERTY down to the bust. Liberty
wears a large, soft cap. Her hair flows down and also shows
on her forehead.
The design was probably taken from a Roman
engraving of a Greek goddess. Liberty’s cap was certainly
not a Phrygian or liberty cap. The liberty cap, emblematic
of freedom, was worn by freed slaves and freed gladiators
in Roman times. It was a close fitting cap used to cover
a shorn head, which was one of the way slaves were identified.
The oversized cap worn by Liberty has been called a turban,
and the design has been called the Turban Head because of
it.
The reverse shows a heraldic eagle. However,
Scott mixed up the positions of the arrows and olive branch.
The arrows held in the wrong claw signify defiant militarism.
Either Scott made an error copying the image of the Great
Seal, or he deliberately changed the symbolism.
Perhaps the design was a warning to France,
with whom the United States was engaged in an undeclared
naval war, and others to be mindful of the new country’s
sovereignty. In the field above the eagle are thirteen stars
and above them, seven clouds. A banner from wing to wing
has the motto E PLURIBUS UNUM.
Thomas Jefferson chose Robert Scot to be
the first Chief Engraver of the United States Mint on November
23, 1793. Scott was born in 1744 in Edinburgh, Scotland
or England. (Documentary evidence is lacking as to where
he was born.) He was trained as a watchmaker in England
and learned engraving afterwards. He moved to the United
States in 1777, where he worked as an engraver of plates,
bills of exchange, and office scales.
During the Revolution, he was an engraver
of paper money. In 1780 he was made the State Engraver of
Virginia. He moved to Philadelphia the next year. He was
appointed Chief Engraver of the United States Mint on November
23, 1793 by David Rittenhouse, Mint Director. His salary
in 1795 was 1,200 per year.
The 1799 half eagle had a mintage of 7,451,
which includes both large and small reverse stars varieties.
In its population report, NGC shows 2 in AU55 condition
with 14 better. CAC as of May, 2011 has 1 in AU55, the present
coin, and 2 higher. Clearly this is a good coin that’s
sought after now and has the potential of being even more
in demand as interest increases in early gold issues.
1799 Half Eagle, Large Stars Reverse
The
obverse design shows Liberty facing right. Below her is
the date which is off center to the left. Between the date
and the word LIBERTY on the left side of the coin are eight
stars. Five stars follow LIBERTY down to the bust. Liberty
wears a large, soft cap. Her hair flows down and also shows
on her forehead. The design was probably taken from a Roman
engraving of a Greek goddess. Liberty’s cap was certainly
not a Phrygian or liberty cap. The liberty cap, emblematic
of freedom, was worn by freed slaves and freed gladiators
in Roman times. It was a close fitting cap used to cover
a shorn head, which was one of the way slaves were identified.
The oversized cap worn by Liberty has been called a turban,
and the design has been called the Turban Head because of
it.
The reverse shows a heraldic eagle. However,
Scott mixed up the positions of the arrows and olive branch.
The arrows held in the wrong claw signify defiant militarism.
Either Scott made an error copying the image of the Great
Seal, or he deliberately changed the symbolism. Perhaps
the design was a warning to France, with whom the United
States was engaged in an undeclared naval war, and others
to be mindful of the new country’s sovereignty. In
the field above the eagle are thirteen stars and above them,
seven clouds. A banner from wing to wing has the motto E
PLURIBUS UNUM.
The early half eagle coins have no denomination
because gold was valued by its weight and fineness as was
the European coinage of the time. As seen on contemporary
Large Cents, dentils are at the edge of both the obverse
and reverse of these coins.
Thomas Jefferson chose Robert Scot to be
the first Chief Engraver of the United States Mint on November
23, 1793. Scott was born in 1744 in Edinburgh, Scotland
or England. (Documentary evidence is lacking as to where
he was born.) He was trained as a watchmaker in England
and learned engraving afterwards. He moved to the United
States in 1777, where he worked as an engraver of plates,
bills of exchange, and office scales. During the Revolution,
he was an engraver of paper money. In 1780 he was made the
State Engraver of Virginia. He moved to Philadelphia the
next year. He was appointed Chief Engraver of the United
States Mint on November 23, 1793 by David Rittenhouse, Mint
Director. His salary in 1795 was 1,200 per year.
The Mint Director received only $800 dollars
per year more. Scot’s ability to make dies was limited,
and he was advanced in years with failing eyesight. His
work was somewhat less than that done in Europe at the time,
and Scot was criticized for its poor quality. He was responsible
for designs of most of America’s first coins. These
include the Flowing Hair and the Draped Bust motifs used
on the early silver coins, and the gold quarter eagle, half
eagle and eagle. Scot also designed the 1794-1797 half cent,
the 1800-1808 draped bust half cent, and the Thomas Jefferson
Indian Peace Medal. Scot died on November 1, 1823 and was
succeeded by William Kneass as Chief Engraver.
The 1799 half eagle had a mintage of 7,451,
which includes both large and small reverse stars varieties.
In its population report, NGC shows 2 in AU55 condition
with 14 better. CAC as of May, 2011 has 1 in AU55, the present
coin, and 2 higher. Clearly this is a good coin that’s
sought after now and has the potential of being even more
in demand as interest increases in early gold issues.
1799 Eagle, Small Stars Obverse
For
the obverse of the eagle, Robert Scot used a matronly bust
of Liberty facing right. She wears a large, soft cap high
on her head. Her hair puffs out from under it and falls
to her shoulder. One heavy strand is wound around the hat,
giving a turban-like appearance. LIBERTY is at the upper
right with eight six-pointed stars to the left and five
to the right. The date is below the truncation. The reverse
shows a large heraldic eagle as its main device.
The eagle holds in its right talon a bundle
of arrows and an olive branch in its left. Across the right
wing and neck is a ribbon that is inscribed with the motto
E PLURIBUS UNUM. A galaxy of stars is above the eagle’s
head with clouds above the stars. The whole is partially
enclosed with the required inscription UNITED STATES OF
AMERICA. Dentils surround the coin on both sides, and the
edge is reeded.
Much has been made of Liberty’s cap
being a Phrygian cap. However, a true Phrygian or liberty
cap was a close fitting cap worn by freed slaves. It was
emblematic of freedom because the heads of slaves and gladiators
were usually shorn. Certainly the cap Liberty wears in the
eagle is not such a cap; however, it is reminiscent of caps
worn by fashionable ladies of the times.
The use of the heraldry on the reverse has
been questioned. Breen suggests that it was either a blunder
or a “piece of stupid saber-rattling bravado”
because the arrows are in the war-like eagle’s dexter
claw. On The Great Seal of the United States, Scot’s
source, the arrows are in the eagle’s sinister claw.
However, Breen fails to recognize that the United States
was engaged with France in an undeclared naval war (The
Franco-American War, also called the Quasi-War, took place
from 1798 to 1800.) It was important for the United States
to assert its sovereignty, and this war may have been the
reason for the change in symbolism.
Robert Scot was appointed the first Chief
Engraver of the United State Mint on November 23, 1793.
He was criticized in his own time and later for the relatively
poor quality of his designs, especially compared to those
made in Europe. Thomas Jefferson had chosen Scot to be the
Engraver under authority granted by Congress. The Constitution,
adopted in 1789, gave Congress the right to coin and to
regulate money. Both Jefferson and Hamilton argued in favor
of a federal mint to coin money for the new country. Scot
was appointed out of necessity. He had been an engraver
of paper money during the Revolutionary period, but his
ability to work as a die sinker was limited. He was advanced
in years and his eye sight was failing. He worked to the
best of his ability and designed gold, silver, and copper
coins. However, his inability to equal or surpass the European
standards made his job a target. Unfortunately at the time,
there was no one more qualified. Congress did not want to
contract the die-making to a European firm, and so Scot
remained the Engraver.
The Small Stars eagle had an unknown mintage
that was part of the 37,449 listed for the year. At PCGS,
147 Small Stars have been certified out of a total of 591for
the date. Most examples are circulated with some in lower
mint state grades and none above MS64.
1799 Eagle, Large Stars Obverse
For
the obverse of the eagle, Robert Scot used a matronly bust
of Liberty facing right. She wears a large, soft cap high
on her head. Her hair puffs out from under it and falls
to her shoulder. One heavy strand is wound around the hat,
giving a turban-like appearance.
LIBERTY is at the upper right with eight
six-pointed stars to the left and five to the right. The
date is below the truncation. The reverse shows a large
heraldic eagle as its main device.
The eagle holds in its right talon a bundle
of arrows and an olive branch in its left. Across the right
wing and neck is a ribbon that is inscribed with the motto
E PLURIBUS UNUM. A galaxy of stars is above the eagle’s
head with clouds above the stars.
The whole is partially enclosed with the
required inscription UNITED STATES OF AMERICA. Dentils surround
the coin on both sides, and the edge is reeded.
Much has been made of Liberty’s cap
being a Phrygian cap. However, a true Phrygian or liberty
cap was a close fitting cap worn by freed slaves. It was
emblematic of freedom because the heads of slaves and gladiators
were usually shorn.
Certainly the cap Liberty wears in the eagle
is not such a cap; however, it is reminiscent of caps worn
by fashionable ladies of the times.
Neither the half eagle nor the eagles of
1799 have a denomination on the coin. Gold coins were valued
by their weight and fineness as they were in Europe; consequently,
the denomination was actually irrelevant.
The mintage of the Large Stars Reverse eagle
is unknown, but it is part of the 37,449 that were minted
for the year. At PCGS, 444 Large Stars have been certified
out of a total of 591for the date. Most examples are circulated
with many in lower mint state grades. There are 7 at MS65
and 1 at MS66.